Friday, 21 August 2015 11:59

49 Years Ago This Week: BEATLE BOB REMEMBERS: The Beatles At Busch

Written by 
BEATLE BOB REMEMBERS: The Beatles At Busch
 
It was forty-nine years ago this week that Beatle Bob saw them play. Now they’ve never gone out of style, and on that summer night they truly raised a smile. So let me introduce you to, the act you’ve known for all these years, the one and only Beatles -  live at Busch Stadium in downtown St. Louis on Sunday August 21st, 1966.
 
 57
 
Above: Ringo relaxes on an afternoon flight from Cincinnati to St. Louis on August 21 1966. The Beatles and the rest of the groups on the tour had just finished playing a rained-out date in Cincinnati from the night before, thus playing a concert double-header in two different cities on the same day!!!
 
 
THE TICKET

I grew up in a predominately Catholic working class neighborhood where everyone’s dad provided the family with the fruits of hard manual labor. In the case of myself and my younger sister, our mom worked a 40-hour plus shift to support our household. And my sister and I both shouted for glee when our mom said she was going to buy all three of us tickets to see The Beatles at Busch Stadium!!!

KGrHqRmIFJpYzrhGlBSesHSbnYg--60 57

Above: Press Ticket for the media to cover The Beatles' St. Louis concert at Busch Stadium

Tickets went for $4.50, $5.00 and $5.50 and, somewhat surprisingly, didn’t sell as quickly as anticipated. In fact, the promoter was forced to take out a print advertisement in the St. Louis Post-Dispatch daily newspaper, which stated in very bold print: SEATS AVAILABLE NOW. The ’66 tour’s lukewarm ticket sales weren’t limited to St. Louis. Most of the 14 dates on the tour had slower than expected ticket sales no doubt due to Jesus vs. The Beatles smackdown that exploded during the first week of August of that year.

 
THE CONTROVERSY

On August 4, 1966, a United Press International wire story ran in the St. Louis Globe-Democrat with the headline: “Beatles Manager Rushes to U.S. To Quell Furor.” Indeed, Brian Epstein did cut short his European vacation to try and ramp down the press frenzy that was severely damaging the Beatles brand. The frenzy was triggered by an off-hand remark from John Lennon to a journalist. What Lennon said was, “The Beatles are more popular than Jesus.” He would later explain that what he meant was that in England, and certain parts of Europe, organized religion was waning. This was also true in America, it was true in St. Louis, and it was true in the life of some of my friends. And this would not be the first time that they had to choose between the Beatles and God.

 19662
 
My buddy Jack Connors was an Altar Boy in the Roman Catholic Church. Once a month, we had a special service for the women of the parish which was called The Sodality the Blessed Virgin. Jack served that event every month along with my friend Raymond Harrison. Back in ’64, The Sodality of the Blessed Virgin happened to fall on the same night that the Beatles were scheduled to perform on The Ed Sullivan Show. We were both 11 years old at the time, and we both came from very religious families. Now Jack had to make the biggest decision of his young life: God or The Beatles? It wasn’t even close: Jack chose The Beatles. He called in sick to the rectory, but unbeknownst to Jack his ‘friend’ Raymond Harrison ratted him out to the priests. The next morning, Jack was summoned to the office of the Pastor. He sat him down in front of his desk, and from his huge chair behind his desk, he bent over and said to Jack: “Son, are these degenerates your God?” Consequently, he was suspended from the altar boys and castigated by the nuns and other priests at my parish. So when I first heard that John Lennon said the Beatles are bigger than Jesus, I failed to see what all the hub-bub was all about. To anyone under 30, this was incontrovertibly true.

Still, the controversy raged, especially in the Bible Belt where they staged massive bonfires fueled by Beatles records and memorabilia. St. Louis promoter KXOK DJ Nick Charles knew he had a potential catastrophe on his hand. When the Beatles played in Washington D.C., The Ku Klux Klan picketed the venue in their white robes and hoods. In Pennsylvania, four state senators introduced a measure in Harrisburg urging a boycott of the Philadelphia concert. A lot of the U.S.A. press only fanned the flame so often reminding their readers about the noise levels generated by the screaming fans when The Beatles during their first two tours of the States. However, many journalists suggested that on this visit, that most of the noise this time is by protesters of all ages who would like The Beatles not to be heard at all, even on the radio. Stories in the St. Louis media tried to placate the populace and assure them that St. Louis was prepared for any and all eventualities. One story was headlined:  IT LOOKS LIKE A BATTLEFIELD: STADIUM BRACES FOR BEATLES.

Click on the link below to view St. Louis' KSD-TV Channel 5 (local NBC affilaite) newsman Chris Condon interviewing St. Louis Beatle fans inside Busch Stadium before the concert. Also a few second of clips of The Beatles departing their plane at Lambert – St. Louis International Airport and of The Fab Four arriving to screaming fans at Busch Stadium. The 3:33 segment ends with Condon interviewing teenage girls in downtown St. Louis about their opinions of John Lennon's controversial Jesus Christ comment.

 
 

THE SHOW

The concert was billed as “An All Star Show” which it truly was. Opening the show was  The Remains, those knights errant of Boston's Back Bay, a  frenetic, wonderful garage punk that could really pound tunes out in a professional manner. Bobby Hebb was next. He was an R&B singer from Nashville, who had a huge hit single on the pop charts that summer called “Sunny.” The sound was wonderful and Bobby Hebb was a perfect choice to be on this tour.


Next up was The Cyrkle. They were an American band from nearby Easton, PA, who were managed by Brian Epstein. It was John Lennon who came up with their name. They also had a big hit single with “Red Rubber Ball,” written by Paul Simon of Simon & Garfunkel fame. The Ronettes took the stage last, because the drizzling rain was starting to come down a bit more frequently. Until the emergence of The Supremes, they were the biggest and best all-female pop group. Unfortunately,
Phil Spector became so enraged when the Ronettes' lead singer (and his wife) Ronnie Spector expressed a desire to accompany Estelle and Nedra on the tour that Ronnie was forced to remain in California with him while the girls' cousin Elaine, who had previously been in the group, filled her slot on the tour, while Nedra assumed the lead vocals on stage.They sang all of their Phil Specter-produced hits including “Walking in the Rain.” But their set was designed to build up to their performance of what was arguably the greatest single of the 1960s, “Be My Baby.” 
 
The question I had going into Busch Stadium that night was what would The Beatles perform from their  Revolver LP, which was only released sixteen days before the concert on August 5th. They ended up performing 11 songs in 29 minutes, which was a long show by 1966 standards. The show was absolutely terrific. Yes, there was ear-splitting high-pitched screaming of all the teenage girls in attendance, but even with all the distraction, a seasoned 13-year-old concert observer such as myself could hear that there was, without question, one damn good combo playing on that stage. They opened with two songs from the Beatles 65 album. First, a thrilling version of Chuck Berry’s “Rock and Roll Music” with Lennon’s raw vocal in fine form. That was immediately followed up by McCartney taking lead vocal on “She’s A Woman.” Next was one of the two gems of the evening, “If I Needed Someone” from Yesterday and Today, with George Harrison in splendid voice, backed up by those lush Lennon and McCartney harmonies. That exquisite vocal work was further enriched by the choice of “Baby’s in Black” from Beatles ’65. “Day Tripper” and “I Feel Fine” followed and on those particular songs, one could sense how Ringo Star’s drumming style really drove the band. The next selection was “Yesterday.” I have to admit that I was somewhat disappointed in the arrangement of that song, for it was performed with the full backing of the band which made McCartney’s masterpiece sound crowded and a little heavy-handed. “I Wanna Be Your Man” was up next, and it was interesting that this was the one track chosen from their 1964 repertoire.

The second gem of the night was “Nowhere Man,” one of my favorite Beatles singles of all time. Not only were the warm and layered harmonies spot on, but he highlight of the song (and for me, the entire show) was George Harrison’s guitar solo. “Paperback Writer” was the next to last song and truly great and then The Beatles closed the show with “I’m Down” which was the B-side to the “Help” single. McCartney was in great screaming mode, and Lennon was hilarious as he sat in front of an electric piano, playing with both his hands and his elbows which he ran up and down the keyboard. Ol’ Johnny was having a blast and it was delight to see him smiling non-stop considering the stress he was under in the wake of the mountainous ‘bigger than Jesus’ molehill.

 
 

THE AFTERMATH

The reviews in both of the St. Louis daily papers were pretty much a crowd story with both reviewers backhandedly giving the show a nod.


As history now informs us, The Beatles knew all along that these two weeks of shows in the States were going to be their last as a live act. The security issues created by their last visit to Japan and the Philippines, and the death threats they received in America — not to mention the night after night of being completely drowned out by the din of screeching teenage girls — conspired to bring that aspect of their musical lives to a close. Little did St. Louisians know that what we witnessed that evening in downtown St. Louis was one of the final live shows the greatest pop group of all time would ever play.
 
 
 
Below: Some pages from The official Beatles 1966 U.S.A. concert tour program

 57-1

 

Above: The front-cover of The Beatles U.S.A. 1966 tour program

  57-2

 57-3

 57-5

 57-4

 57-6

 57-7

 

Below: Back-cover of The Beatles U.S.A. LTD 1966 Concert Program
 57-8

 

 

 

Media